Through
the cotillion of hours two strangers met and met
and
would your
music have fractured like the glass of the
screen,
and would you have
gasped
as I kissed you
there
and
there?
Wondering
what your hair smells like fresh from the
shower or
the
grains of your skin pressed backwards and
up.
Can you exonerate me for letting you
go
and for
dancing with you under clouds and rain and
what does it matter if I let you?
Go
Stars and
explosions and yellow confessions crossing
Crucified decorated in yellow late at
night on amber
screens,
moved me.
We wrote on the electrified walls and
Jung synchronicity
and Jung exciting motion,
Brownian reflex motions,
charged strings pulling the
universal
fabric pulled us too.
Willing, thrilling, cursor for cursor
we never
met and the dancing was sweat, sweaty motion
that leads nowhere pacing around and
around electric
walls
forever and nevermore words. Worlds.
Will you
forgive me for being your friend?
Will you permit me to say it’s all right,
to desire
another’s arms provide you where I
had aspired for
mine?
Pleasure
that motion of words to continue without the
sweet
sweaty
dancing,
and what matters the sweetness when we
never even
met?
By Daniel J. Bishop
Copyright © 1994, 1997, 2008, and 2011 Daniel J. Bishop
All Rights
Reserved
This poem first appeared in Pandora's Box (ed. Mellissa Last) in the Fall 1994 issue. It was scheduled to appear in a "Best Of" issue of Pandora's Box, which, as far as I am aware, never came to pass. It was reprinted in the Sangreal Limited Edition chapbook.
The poem is about the nature of Internet/computer bulletin board relationships. Naturally, times have changed since it was written, and the computer can now supply far more than a monochrome amber experience! And we can share more than mere words, instantaneously, across the aether. We still have the cursor for chatrooms and instant messaging, though, and I think that the general gist of the poem remains true.
What matters the sweetness when we never even met?